We can percept the pictures of islands in three levels of regarding, which refer to the
three levels of our conscience.
scheme no.1 - click for increasing
First level: archetypes (ad scheme no.1). We can see the ground plan of an
island surrounded by a sea. His banks are created by an outer garden divided into four
cardinal points - into a nothern, eastern, southern and western part. On the island there
is a fortress (Citadela) with eight (two times four) defensive towers. Water surface (a
water moat with clean drinking water) then defends the inner double garden, whose
fortification is gentle, subtile. In the middle of the second garden is located - divided
by light - proper residence (an impregnable tower) of the master of the Island. The
Citadela doesn´t have any gate. The entrance is only possible from above and if we know
the key. In this level of regarding we can percept the pictures as jantras for
concentration and meditation. After all we can percept anything this way - the whole world
and universe (everything that is beautiful) - without having to realize the hidden
structure (order) everytime.
scheme no.2 -click for increasing
Second level: facts (ad scheme no.2). So that it is possible to pain the
picture necessarily represents something - some concrete, variable content. The ground
plan of the island itself, Four seasons, Day and Night, feelings, variations of
transcendental connections, etc. So far for the painting itself. The wire-netting at the
same time hides (covers) but also enables a look inside. Among others is here a symbol of
the veil (Majou - the big delusion) of the world. Aurum nostrum non est aurum vulgi.
Regarded as this the islands are common conventional pictures. For purpose - so that there
is a possibility to read them. Conventional feature fully complies with the artistical
intention.
scheme no.3 - click for increasing
Third level: ideas (ad scheme no.3). Unvariable plan of the Islands reflects the ever
hidden plan of the world and universe. The content is coded numerically in colorful
relationship as well as the used textures of painting. The scheme itself contains the code
of numbers 5 + 8 + 9 = 22 and 15, simultaneously 22 + 15 = 37 = aritmosofically = 10,
where 0 is transcendental AJIN and 1 is imanent EJN SOF (see the works of Z'ev ben
Shimon Halevi - e.g. Universe in Kabbala, 1994). The number of the lines in the drawing of
the scheme equals 120 = aritmosofically = 3. Scheme is a model, because the essence itself
can´t be figure.
Ilja Sainer / Without Title, 4. 8. 1997
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